second test
download this duplicate song only if you want to have it twice!
download this duplicate song only if you want to have it twice!
with the brilliant Ann Carr and Christina Gausas.
This interview with George Lucas, specifically this response, is a wonderfully succinct answer to “Why were the last three Star Wars films so terrible?”
Q: But the second trilogy certainly had a built-in audience.
GL: Yeah, everyone says the second trilogy was a slam dunk. But there was a lot of controversy around here about the fact that I wasn’t doing the obvious — I wasn’t doing the commercial version of what people expected. People expected Episode III, which is where Anakin turns into Darth Vader, to be Episode I. And then they expected Episodes II and III to be Darth Vader going around cutting people’s heads off and terrorizing the universe. But how did he get to be Darth Vader? You have to explore him in relationships, and you have to see where he started. He was a sweet kid, helpful, just like most people imagine themselves to be. Most people said, “This guy must have been a horrible little brat — a demon child.” But the point is, he wasn’t born that way — he became that way and thought he was doing the right thing. He eventually realizes he’s going down the dark path, but he thinks it’s justifiable. The idea is to see how a democracy becomes a dictatorship, and how a good person goes bad — and still, in the end, thinks he’s doing the right thing.
OK, so he admits that he realized we all wanted to see Darth Vader cutting peoples heads off, and he does just the opposite, forcing everyone to “explore relationships.” You know who likes to explore relationships? My wife. And she walked out of Star Wars, when she was in junior high school! I love that Lucas reported that most people said “This guy must have been a horrible little brat — a demon child.” Really? What people, all the parents at your local PTA meeting?
The whole interview at Wired.
I shot this with director Mark Tiedemann in Germany on a Sunday morning after a commercial shoot. We were talking about the idea in the hotel bar the night before with a couple of German guys and we all said, “let’s shoot it!” Usually when that happens, everyone wakes up and says, “Nice idea, but let’s not.” But we didn’t do that. We shot it in the apartment of one of the German guys, and it took half a day. You can see Mark’s other stuff here.
This was in the Portland paper after my recent trip there with The Moth. A good review!
The ghost of Garrison Keillor, indeed, hung over the preternaturally easy nature of host Tom Shillue, although he looked a bit more like a cross between a slender Dick Gephardt and Conan O’Brien. Shillue’s humor was broad Caucasian-ethnic: peppered with jokes about how Jews don’t know the difference between Protestants and Catholics, how Italians talk close and funny. I liked him. He was, like Bill Cosby and Ellen DeGeneres and very few others, a humanist comedian un-full of anger. He also reminded me of mid-century Hollywood’s idea of a virtuous small-town mayor, albeit a Catholic one.
At last week’s Moth event at Galapagos in Brooklyn, “You Say You Want a (R)evolution,” host Tom Shillue compared the uniforms of US soldiers and Afghanistan rebels to the stylings of Storm Troopers and Jedi knights from Star Wars. If that piques your interest, catch him tonight at The Green Room.
Building a Bridge: Stories from Both Sides
with host Tom Shillue and local storyteller Terrance Hayes
Emceed by Tom Shillue (regular Daily Show contributor) and with a soundtrack provided by UkuLizzy (aka Liz Hammond), the storytellers entertained and entwined the audience with true stories on the theme “Building a Bridge: Stories from Both Sides”.
Places like this always call me a “Daily Show Regular” even though I haven’t been for a decade. But it’s in my past resume’, and they like to write it, so I don’t go correcting them.
Sean McCarthy writes about the film:
Derrick comedy has a laugh-out-loud hilarious, dark comedy movie on their hands, and if all things go well, soon enough, there will be a distribution deal for Mystery Team. How do I know this? I managed to get in on one of the intimate free screenings in New York City earlier this week, and talked to four-fifths of the team behind Mystery Team
A new podcast! It can’t be! Yes, it can. This one was recently recorded live at the 92Y in Soho.This one is really more of a reading. Well, it is a reading, actually.
Tom is back! Hear his excuses about why he took so long to post another podcast. Also, why is Tom so interested in the goings on between fathers and their children? Did your father show up at every little league game? And learn about the perils of a New York Sunday brunch.
“It’s all about the story”. Stand-Up Comedian Tom Shillue (from Comedy Central Presents: Tom Shillue) lives up to his reputation as New York’s best comic storyteller with this improvised monologue, recorded live in New York City, at the famed Moonwork: Evening of Original Works.
Tom explores his dark side, if you can call it that. Is Tom really like Claude Rains in Casablanca? Do his loyalties blow with the prevailing wind? Does he stick his neck out for no man? Did he steal lumber from your backyard?
“It’s all about the story”. Stand-Up Comedian Tom Shillue (from Comedy Central Presents: Tom Shillue) lives up to his reputation as New York’s best comic storyteller with this totally improvised monologue, recorded live in New York City, at the famed Moonwork: Evening of Original Works.
This is part two. Tom explains why his adolescent interest in jewish girls became a lifelong pursuit. Well, maybe not lifelong. Perhaps ephemeral is a better word. Even though ephemeral is kind of the opposite of lifelong. But it did come to a happy, if unexpected conclusion.
“It’s all about the story”. Stand-Up Comedian Tom Shillue (from Comedy Central Presents: Tom Shillue) once again lives up to his reputation as New York’s best ephemeral storyteller with this, another largely improvised monologue, recorded live in New York City. This was performed at Moonwork at The Greenwich Village Center on Sullivan Street.
Another tale from Tom Shillue. This is part one, exploring the great value in a not so multi-cultural upbringing, and how it once opened the door for opportunity and fascination, in the form of teenage jewish girls.
“It’s all about the story”. Stand-Up Comedian Tom Shillue (from Comedy Central Presents: Tom Shillue) lives up to his reputation as New York’s best comic storyteller with this largely improvised monologue, recorded live at Moonwork in New York City.

Long shadows at noon.